$2,500.00 Titanium and Gold Lip Pearl Linerlock
This knife is from Suchat’s New Diamond Edition. This liner locking folder features a carved Robert Calcinore Mosaic Damascus blade. The handle has carved titanium bolsters, carved gold lip pearl scales with pink/green/yellow stone inserts, carved matching Damascus rear bolsters, and carved and anodized titanium liners and back-spacer.
This is like natures version of transformer.
the buugeng is a type of s-staff.
to the best of my knowledge, it is used to engage in geometric visual warfare
GEOMETRIC VISUAL WARFARE.
1] A grip is considered forward when the blade opposes the little finger. The Hammer grip, also called forward, this is the predominant grip technique. The fingers are wrapped around and under the belly of the handle, and the thumb is wrapped around the handle and in contact with the forefinger. The knife assumes a blade point angled up position when the wrist is locked and square.
The traditional grip technique’s main advantage is reach and some say finesse. The knife blade is held away from the body, and with an extended arm can deliver slashing cuts at the greatest distance. Because it is traditional, it feels the most comfortable to most people. It is the way most knife and other tool handles are oriented, and lends itself best to cutting and sawing chores in front of the knife owner. Because of the location, the knife and its work (or enemy) are easy to see. Notice that the knife is always at an up point angle, because of the natural orientation of the wrist.
The disadvantages are that the knife is far away from the body, therefore the hand is vulnerable and easily trapped or injured by an opponent or enemy. Also, less force can be applied the farther the hand is from the body and the more the arm is extended. The wrist must usually be canted (tilted) forward for the blade to remain straight or horizontal and aimed at the enemy. This can be unnatural and hard on the joints at the wrist, preventing the knife user from locking his wrists such as in a square-fisted punch. Enemies behind and beside may be hard to reach with the blade. Locking the wrist square in a punching position directs the knife point straight up or toward the user, not the opponent, particularly since the elbow folds inward, and can bringing the knife point directly into the knife user’s head and chest area.
2] A grip is considered forward when the blade opposes the little finger. Another variation of the traditional forward grip technique is the Saber; to have the thumb on top of the spine of the knife, or at the quillon or thumb rise. The saber grip will allow the hand to apply pressure with the thumb, which is very strong in the human hand.. In cutting chores, rather than tactical or combat use, this position allows good control and reach. In tactical use, it has similar advantages as the hammer (above).
The obvious disadvantage of this gripping technique is that the hand has a noticeable opening between the thumb and the forefinger and middle finger, so the grip is not as certain and secure as it would be if the hand was completely closed. It can help somewhat if the handle shape has substantial front and rear quillions to help secure the hand in the knife handle.
3] A grip is considered forward when the blade opposes the little finger. The modified saber grip technique is the same as a hammer grip, but in the modified saber grip, the thumb is placed on the side of the blade. The advantage here is the same as the hammer, in that the grip is very strong, and it is stronger than the traditional saber grip technique as more of the hand (the thumb) is actually wrapped around the knife generally. The modified saber grip also forces the hand to naturally orient the knife in a horizontal or slashing position if the hand is held in traditional square-fist orientation: the strongest, locked wrist punching position of martial arts.
The disadvantages to this technique of knife grip tactic are several. The thumb is positioned on the side of the blade, precariously near the cutting edges. A few jostles of the hand and the thumb could slide down to the cutting edge ( or serrations in other models) and be badly injured by the user’s own knife. Another disadvantage is that cutting outward can not happen in this grip technique unless the knife is double edged, and even then, the musculature of the human arm has limited strength in a backhand motion unless the knife user is a well-trained tennis player!
4] A grip is considered forward when the blade opposes the little finger. The Filipino grip is a forward grip technique where the thumb is not wrapped around the knife handle, like the hammer grip or along the back of the handle like the saber grip or along the side of the blade like the modified saber grip, but along the spine of the knife back. The idea is that the thumb guides, aims, and applies pressure to the spine of the knife, thus is able to increase pressure at the point of the knife blade. In effect, the blade can serve as an extension of the thumb, and for some it seems more natural.
The problems are several with this type of grip technique. First, it is probably better served on a small knife where the thumb extension feeling and association is more compact and reasonable. On a smaller knife, it can be a more comfortable and secure grip technique, but on a larger, heavier, and longer-bladed combat tactical knife, the thumb on spine is unwieldy and even uncomfortable. This is because it is unnatural for the thumb to be hyper-extended in a thumbs-up position, and the extension can mean that the thumb itself and its musculature and tendons are not protected and are subject to injury. Imagine a heavy strike applied to the main cutting edge of the knife in the photo. The thumb would be forced back toward the wrist, straining it, let alone my knife having a guard leaving a strain on my thumb. There is a reason that most martial arts systems teach a locked-wrist technique of impacts, and that is to protect this complicated wrist-hand-thumb joint. The second issue is that with the thumb extended, the motion of the forearm is more restricted. If you don’t believe this try this simple exercise: with your hand closed in a fist, extend and rotate your right hand counterclockwise, until your thumb is on the outside of your body axis. The rotation is unencumbered in most people, and the rotation can continue all the way to the shoulder. Now try the same movement with your thumb extended such as in this grip. You might be surprised to discover that your rotational movement is significantly restricted! The same limitations occur in an opposite rotation with the elbow being forced to fold against the body to achieve the same rotational degree. The fact holds that with the thumb extended, motion is restricted and the thumb is more vulnerable.
I’m not claiming that this grip technique does not have its place, on small knives in close quarters combat. But for larger knives, it’s probably not the best grip technique.
5] A grip is considered reversed when the blade opposes the thumb. The reverse grip then positions the blade pointing downward in the locked fist position. Edge out means the cutting edge of a single-edged knife is oriented away from the body. This is a traditional reverse grip, because the handle orientation of most knives can accommodate either the traditional forward grip or reverse grip with the palm of the hand in the same location on the handle, along the spine. So, of the reverse grip techniques, this is the most frequently accommodated and the most comfortable for most knife handles.
The advantages to the Reverse Edge Out grip technique are many. First, unless the elbow is extended and locked straight, the blade cutting edge always faces the enemy, no matter where the hand is located (unless it’s behind the knife user!). When the fist moves as in a cross punch, the blade and cutting edge can be raked across the enemy in a slashing motion. Second, like an ice pick, tremendous force can be brought to bear on the point, not only when oriented downward, but when an enemy is behind or beside. Third, the grip technique allows capping where the thumb (and thus force) is brought to bear on the butt of the knife handle. This also increases the security of the knife grip. A fourth advantage of this grip technique is that the knife can be oriented with cutting edge to enemy even when guarding with the forearm. A fifth advantage is that the “elbows bent” position that is usually assumed with this type of grip technique can be more powerful and defensive than an extended and reaching forearm, which is unprotected and may be easily trapped and fractured.
One of the disadvantages of this grip technique is limited reach. Because the point and edge can not be extended like a forward grip technique, the enemy must be handled at a closer range. A second issue is that deep thrusting moves can usually only be made downward or sideways, not frontally, unless the knife user is on top of her enemy. A third issue is one of trapping; that since the knife is closer to the body, the knife and arm can be pinned with a foot, object, or enemy’s hand. Of course, the object pinning the knife is subject to serious damage from the knife, and certainly a bare hand will not be able to maintain pinning without being cut.
6] A knife is considered held in reverse grip when the point opposes the thumb. This variation of the reverse grip technique is called Edge In, because the cutting edge faces the knife user. The individual knife handle shape is a huge factor in determining how a knife can be comfortably and securely held.
The advantages of this grip technique are similar to the advantages of the Reverse Grip Edge Out (RGEO) technique above, in that great force can be brought downward on the point of the knife blade. The movement is a clawing one, which some knife users are comfortable with. Enemies at the side and back can be vulnerable to this grip technique also.
The disadvantages are distinctly different. Having the cutting edge facing inward puts the movement of the knife blade toward the knife user. Cutting toward oneself with a 5” long bladed knife is never a good idea. The motion of thrusting is downward and inward, pulling the enemy closer into the knife user’s body. If the knife user is trapped or a strike lands on the knife, it can be injurious to the knife owner.
This technique and style is widely promoted with the claim that the it is the only Reverse Grip technique that can be damaging, as the knife edge can cut as it’s pulled in and down. This is only part of the picture. Knife slashes are less fatal than stabbing, piercing, or thrusting; the ancient Roman proved that.
7]The Forward Grip Edge Up technique has the knife handle spine cradled in the fingers, with the thumb either on the quillon or wrapped around the knife handle. A hunter may often use this grip when skinning hanging game and cutting upward.
This grip technique has its advantage in upward thrusts. Cutting upward is the main reason for this technique, and typically, the handle shape of the knife plays a large role in whether this technique can be comfortably used.
A distinct disadvantage is that if the knife is struck or parried, the impact could drive the blade’s cutting edge into the face or neck of the knife user.
this sword sat in it’s sheath in a flooded tomb for 2000 years and it’s still sharp and untarnished. scientists say it’s because of the chemical composition and the almost airtight sheath. me? magic. whosoever wields this sword will be blessed with Mandate of Heaven and establish harmony on Earth.
- So You Want to Write a Fantasy: Writing Female Characters
- So You want to Write a Fantasy: Culture
- SYWTWAF: Writing What you Don’t know
- A list of adjectives to describe physical attributes, Or, As it turns out, I could go to Starbucks with half this list
- Unpacking the Invisible Knapsack
- Some primers
- More Primers
- RaceFail ‘09: Or where Deepad’s I didn’t dream of Dragons comes from, and why.
- Writing characters of Color
- Writing Outside your experience
- Media Representations Wiki - stereotypes/tropes/culture/etc
- On A:TLA’s whitewashing - All The World’s White, the Rest of Us merely live in it
- The Face of the Other: Do Manga & Anime characters look “white”?
- Describing Characters of Color pt 1 & Describing Characters of Color (pt 2)
- I Didn’t Dream of Dragons
- So You Want to: Avoid Unfortunate Implications
- Transracial Writing for the Sincere
- Why Writing Colorblind is Writing White
- What a Girl Wants: Representation
- An Equal Place at the Table
- Avoiding LGBTQ Stereotypes
- The Problem With Colorblindness (and the Rest of Racebending.com)
- Making Movies for White People: A Tongue in Cheek critique of Minority Representation in the Media, or lack thereof
- From Margin to Center: Writing Characters of Color via Racialicious
- Writing Characters of Color - a helpful community!
- Why my Protagonists aren’t white (even though I am.)
- The Dangers of Telling a Single Story (a helpful Video)
- The Lack of People of Color in Historical Fictions
- How to Read and Respond to Literature of Color
- The Advantages of being a White Writer (in getting published)
- Writing Characters of Colour (Now With 10% Less White Liberal Anxiety!)
- Fic and Skin Tone (discusses Nyota Uhura, otherwise relevant)
- On Problematic Writing
- Writing Race in YA fiction: Debunking Myths
- Diversity Writers: How to Write People of Color
- The Importance of Inclusionary Writing
- Overcoming the Noble Savage and the Sexy Squaw: Native Steampunk
- The Intersection of Race and Steampunk: Colonialism’s After-Effects & Other Stories, from a Steampunk of Colour’s Perspective
- Beyond Victoriana: For EVERYTHING Steampunk/1800s/Industrial Revolution that isn’t just Victorian England and the archives Tales of the Urban Adventurer
- Can I just watch A Game of Thrones in Peace? (A brown feminist fan rant).
- Fantasy and Sci-Fi race Bingo
- Invoking Strangely Colored people
- Many Voices
- AfroFuturism, SciFi, and the History of the Future
- Some Open Thoughts on Race & Dsyutopia
- When Will White People Stop Making Movies like Avatar?
- Portraying POC in YA Fantasy: Are we There Yet?
- Debunking White Fantasy
- Racism in Fantasy
- Magical Realism is Fantasy written in Spanish.
1.) It’s not hard to figure out what to do, there are plenty of resources.
People say you have to get it right, do your research, but … what else are you supposed to research? It’s not like people with more pigment in their skin have completely different personalities than those with less, any more than any individual. It’s frustrating when I can’t even figure out what the heck people are talking about.
Bam. Research step one done for you.
2.) Writing characters of color/minorities is a good thing.
I don’t like the notion that fantasy authors are under some kind of obligation to present ethnically diverse worlds. I’m English, and a fair sized part of English history consists of unwashed beardy white people in mead halls. If I’m inspired by my own history and cultural heritage, then that’s what I’m damn well going to write about. I’m not writing about some other culture just to appease the people who think there aren’t enough black characters in fantasy, or whatever. You want it, you write it. Nothing to do with me.
3.) Your all White Fantasy Land Didn’t Exist in Real Life:
…the rather medieval one has more diversity than real medieval Germany probably had […] In a world with medieval means of transport, it just doesn’t seem natural to me to mix dark-skinned people with blue-eyed blondes in one setting. I just try to give the people a colour that fits the place where they live.
You mean like the people from Africa and the Middle east who began to take over Southern Spain, as well as the Jews who were pretty well spread out throughout Europe, the Middle Easterners they would have met on the Crusades, and the incoming Mongol Hordes who spread to the very edges of Eastern Europe before the empire finally collapsed? Don’t forget that Turkey is right there, and the silk road would have gone from Song Dynasty China, through India, and ended in Turkey before moving further westwards into places like Germany. Also the attempts at the Franco-Mongol alliance would have been pretty interesting. (That’s about the 13th century - arguably smack dab in Middle Ages Europe and definite contact between France/Christian Europe and the Mongolian Empire.)
Unless you’re writing everything in the far reaches of Denmark or something, historically speaking, I call bullshit on people who have societies that are only all white ever, because it’s just inaccurate. Consider the relative closeness of Northern Africa to Spain, or Turkey to the rest of Europe, the conquests of Alexander the Great, the Crusades, Slavery existing in Europe, including England, the slave trade, imperialism, Pax Mongolica, The Silk Road, Jewish Diaspora, the Islamic Empire vs The Holy Roman Empire, Egypt, Algeria, China’s sailing across the world, The Maruyan/Gupta Empires of India, tea trades, Columbus sailing in hopes of finding China, etc, etc, etc.
4.) I mean I just don’t believe you anymore. It’s unrealistic. Seriously guys.
You’d think I’d just denied the holocaust or something. Get a grip. All I said was that I’m going to write about my own cultural experience and anyone who thinks I should do otherwise for the sake of political correctness can bugger off.
This isn’t even about being PC this is just not being wrong about everything.
Y’all, someone showed up in my meet-up thread asking us expats to do all her research for her. Not only was her story premise pretty racist and she was trying to get us to do all her work, she didn’t even bother trying Google to answer very basic questions.
Nobody is a bad person for not knowing something. Nobody is a bad person for asking for help! (Politely.) But the burden of fixing that is on you, the writer. The great thing about the internet is that the information is all out there! You just gotta look for it.
So you want to make an OC?: A Masterpost of Ways to Create, Develop, and Make Good OCs!
i made this masterpost in hopes that it helps you in making your own OCs ah;; it can also apply to developing RP characters i suppose! if you’d like to add more resources then go for it sugar pea (´ヮ`)!
How to Write Better OCs:
- basic tips on how to make your oc even better
- tragic backstory? learn how to write one/make yours great
- writing specific characters
- a wordier, great guide on how to develop your character
- kick out those vague descriptions and make them AWESOME
- how to actually make an OC
- Q&A (to develop characters)
- more Q&As
- giving your character a backstory
- how to write an attractive character
- adding more racial diversity
- avoiding tokenism, AKA, how to add diversity to your cast not just because you “need” it
- writing sexuality and gender expression (doesnt include non binary, if you have a good ref to that, please add on!)
- masterpost on writing more diversity into your story
- cultures of the world
- guides to drawing different ethnicities (not just a great art reference, but also really helpful in appearance descriptions!)
Mary Sue/Gary Stu
- Test to see if your character is a Sue
- Explains subdivisions of Sues/Stus
- Powerful Characters Don’t Have to Be Sues
- villain generator
- need an evil sounding name for your evil character? bam
- villain archetypes
- what’s your villain’s motive for being a villain?
- character perceptions (What your character thinks of themselves and what others think of them)
- how to write strong relationships between two characters
- 8 ways to write better characters and develop their relationships with others
- OCxLove Interest Handbook
- develop your couple with good ol’ Q&A!
- how to write realistic relationships
- how to write relatives for your characters (this is more OC related to a canon character, but will help in writing family members in general)
- 12 common archetypes
- 8 archetypes for male/female characters
- female archetypes (goes pretty indepth from two main categories)
- a list of archetypes
- tips for better design
- basic appearance generator
- pinterest board for character design (includes NSFW and images of skeletons/exposed muscle (?) so tread carefully!)
- clothing ref masterpost
- give your character better powers
- a list of professions
- proactive vs reactive characters
- positive and negative traits
- interest generator
- skills generator
- motivation generator
- 123 ideas for character flaws
- list of phobias
again, this is to help inspire you or help establish your OCs! i hope you get a lot of info and help from this ahh ( ´ ▽ ` )ﾉ
Most of us like reading stories about ancient times and fantasize that our ancestors’ lives were easy and romantic, but were they really? 24-year-old Russian man Pavel Sapozhnikov decided to see what his ancestors’ lives were really like by spending 6 months living in 10th-century conditions.
“The idea is to see if a modern man can survive alone in an early medieval environment, what impact this kind of lifestyle will have on his psychological state” says Alexey Ovcharenko, who is the driving force behind the “Alone in the Past” project.
For six months – until March 22 – Pavel will live in a medieval farm without electricity, running water, Internet access and other modern comforts. The autumn and winter seasons were chosen on purpose – scientists want to explore the everyday challenges faced by medieval people during the toughest time of the year.
Thanks to fivestrings-attached for pointing this amazing photo collection to me.
photos by (click pic) saravanan dhandapani, vilvesh swaminathan and mahesh balasubramanian from the mayana soora thiruvizha festival, which occurs every march in the small, southern indian village of kaveripattinam and is devoted to angalamman, one of the fiercest forms of the mother goddess amman.